My work investigates how woven structure can transform cloth into a dimensional surface. Through systematic variations in weave architecture and color relationships, I explore how the interlacement of threads produces rhythm, depth, and optical tension.
Central to my practice is a commitment to slowing down each stage of textile production. By engaging directly with spinning, dyeing, and weaving, I maintain an intimate relationship with the material processes that shape the final form. These steps allow the structure of the cloth to emerge gradually, revealing how subtle shifts in tension, yarn twist, and color arrangement influence the behavior of the woven surface.
Many of the works are built through modified waffle weave structures that create pockets of relief across the textile. These dimensional elements respond to light and shadow, transforming the woven plane into a tactile landscape. Color is used as a structural tool rather than decoration, often organized through complementary systems or inverted sequences that emphasize the logic of the weave.
Through these investigations, I approach weaving as both a disciplined system and an open field for experimentation. The resulting textiles occupy a space between cloth, relief, and architectural surface, inviting viewers to consider how structure and perception interact within the woven form.
